In The Short Happy Life of Francis MacomberÂ, Ernest Heming office takes the reader on campaign to explore the boundaries of courage and fear. The story follows an upperclass Ameri drop, Francis Macomber, who is on a hunt club vacation with his married woman, Margaret, and an English hunting guide, Robert Wilson. During this adventure, Macomber has to overcome personal adversity, and it has a very(prenominal) brawny effect on him. Heming way creatively manipulates signalise of go forth and character to reveal Macombers discloselook on spirit before and after he faces his fear.
        In order to efficaciously uncover Macombers station in life, Hemingway employs a tactic of changing the storys point of view frequently. Near the solution of the story, the point of view is shown from Margaret Macombers point of view. Margaret has always had very little respect for her husband, and when Macomber runs from a lion while hunting, she holds even less of him. She feels that he had simply shown himself, very publicly, to be a coward. without delay with this very clear picture of Macomber as a coward, Hemingway moves on to Robert Wilsons point of view, and continues to visit Macombers character. Hemingway flashes back to the lion hunt, and when Macomber has just started to show his fear in hunting the lion, Wilson think of him as shamefulÂ. By utilizing this erratic point of view, Hemingway paints a very crisp picture of Macomber as the rich Ameri support coward in the eyes of the other characters, as well as the reader.
        The significance of Robert Wilson is very important in this story. Wilson serves as more than a character, but as a representation of courage with which the reader can compare Macomber. Wilson is the entirely told around, sun burned, gun toting hunter who is really very noble killing anything. Macomber is the rich American who barely kills ?weak animals such as birds, ducks and antelope. Wilsons character overshadows Macomber in reputation and in action. Not only does he run through a sort of hunters code that he berates Macomber with, You dont shoot them from cars,...Â, but he killed the lion, when Macomber ran. He slept with Macombers wife, when she wont even deferral Macombers hand. Hemingway waves the Macomber-is-a-lame-coward flag in every way he can think of.
        With Macomber sufficiently beaten shoot down, Hemingway starts to rebuild his character, like an phalanx sergeant who has yelled at you long enough to rifle your resolve, and is forthwith going to make a man out of you. Macomber kills a buffalo. After ultimately killing something large-scale, Macomber feels drunken agilityÂ. Then there is an allusion that Margarets opinion of her husband is changing when she exclaims approximately the kill, You were marvellous darlingÂ. But Macomber is slow in permit his new found courage k at a timen, and Hemingway hints at it in this pellet where Margaret and Wilson are discussing the killing of the buffalo:         It seemed very unfair to me, Margot said, chasing those big helpless things in a motorcar.         Did it? said Wilson.
        What would happen if they perceive close it in Nairobi? [asks Margaret.]         Id lose my [hunting] license for matchless thing. Other unpleasentness, Wilson said, taking a drink from the flask. Id be out of business.         Really? [asks Margaret.]         Yes, Really. [responds Wilson.]         Well, said Macomber, and he smiled for the first time all day. Now she has something on you. Macomber, for the first time in the story, has unveil a slyness on his part, and not had any qualms roughly it. With a smile on his face, he coyly insults his wife in a way that reveals in her, a ignominious quality. His boldness is beginning to show in a way that hints at something ? courage.
        Having boosted Macomber in the right direction, Hemingway returns to Wilson as a meter stick, and to Wilsons public opinions. It starts in a subtle manner, where Wilson make a argu ment with no expression in his voiceÂ, and Macomber responds blanklyÂ. Now that Macomber is starting to discover his courage, his actions are, in nature, beginning to more intimately reflect those of the courageuos Robert Wilson. With enough pieces now in place, Hemingway lets on that Wilson is beginning to actually respect Macomber, Look at the beggar [Macomber] now, Wilson thought ... Fear gone like an operation. [Courage] grew in its place. Made him into a man. With Wilson now measuring Macomber as someone to respect, Hemingway has almost established the transformation of Macomber.
There is still one last headway that needs to be asked before Hemingway is done with Macombers revitalized figure. What does Margaret think of her husband now?         As Macomber and Wilson veritably discuss how good it feels to finally conquer your fears, Margaret jumps in with her opinion on the topic, Youre both talk of the town rot, just because youve chased some helpless animals in a motor car you talk like heros. Margaret doesnt understand how the men could talk about such things, but shes also concerned that they arent talking rotÂ. Again from Wilsons point of view, Hemingway starts measuring, but now hes measuring Margaret and her fears:         Sorry, said Wilson. I have been gassing too much. Shes worried about it [Macombers courage] already, he thought.
        If you dont know what were talking about why not keep out of it? Macomber asked his wife.
        Youve gotten terribly brave, aw entirey suddenly, his wife said contemptuously, but her contempt was not secure. She was very afraid of something. [Wilson thought.] Hemingway has now come full circle by turning Wilsons eyes on Margaret, and again revealing the image of a coward. With Margaret as the coward, the story continues. While tracking down the surviving buffalo, Macomber winds up being charged at. In the prove confusion and panic, Margaret shoots him in the back of the head.
        In this tale, Hemingway displays just how powerful facing ones fears can be, and the effect it can have on the surrounding people. Macomber faces the buffalo, and in doing so, he faces all his fears. When Macomber discovers his courage, he pronto gains the respect of the great hunter Robert Wilson, but that is not all. Margaret now falls into the role of the coward, just as Macomber killed to face his fear, so does she. Hemingway not only points out that facing fear can be powerful, but that it does not always end up with a positive outcome. Facing fear can occupy to respect, and self-confidence, even freedom. It can also lead to murder. Any way it you look at it, the act of facing fear have life altering results.
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