In the sixth and final stanza, the ward gives one die opportunity to seal the deal and move the woman to bequeath up her chastity to his entreaties. If the woman leave alone agree to be his love, the shepherd promises his swains shall dancing and sing. Swain was a common intelligence operation for shepherd, and in the sixteenth century, the two words were used interchangeably to create a to a greater extent favorable image of shepherds. The shepherds life was one of hard work, and describing him as a swain, which capability also refer to a gallant lover, conjures a more romantic image. So, the idyllic nature the shepherd has thus describe is further enhanced by the image of swains who will dance and sing each morning for his lovers entertainment. The time straightaway is firmly set in May, during spring, natures traditional trades union time. The poet has included a variety of images from nature, including the setting, the bed, and the clothing, all of which re wit the ref that nature is primarily focused on reproduction. If the woman will come and live with him, every day will be happy and filled with laughter, song, and dance.
In take out 23, the shepherd repeats line 19 with a slight but important modification. sooner than pleasures to convince her, the emphasis is on the delights he has led her mind to imagine. All of his promises have been the imaginings of a hopeful lover. He has hoped to convince her mind, not her heart. The shepherd has described an imaginary world that he hopes will persuade the woman to join him through her use of reason, if not through her heart. The final line is a repeating of the opening line, reinforcing the relative ease the woman should face in making her decision. The decision is as simple as the shepherds monosyllabic words: live with me, and be my love. If you want to prolong a full essay, order it on our website:
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